Book Excerpt
Magdalen Rising : The Beginning
by Elizabeth Cunningham

An excerpt from Magdalen Rising : The Beginning by Elizabeth Cunningham, published 2007 by Monkfish Book Publishing.
Book excerpt reprinted with the permission of the publisher.
Copyright © 2007 Elizabeth Cunningham



Chapter One

The Birth of Brightness

You have all heard of his birth in Bethlehem in a stable -- though his mother told me it was really a cave, and she's vague about the location. You know the story of the attendant animals, the bedazzled shepherds, and the Magi who followed the long-tailed star. But did you know that the star had a twin? The sister star chose a tiny island in a northern sea. Its long tail lashed cold waters. Far from that holy birth in the hills, brightness rose from beneath the wave.

That was me.

I had a full head of red hair exclaimed upon, as I crowned, by the seven midwives, my foster mothers all. I had no need of awe-struck shepherds. My mothers kept sheep and pigs and goats besides. And listen, even though it's midnight, the mourning doves lift their heads to make soft, wondering noises, almost obscured by the raucous chorus of ravens in the wood and the cry of seabirds from their nests in the cliffs. And yes, if you pay attention, you can hear the walrus and seals barking for joy on the rocks. Wild horses answer, and a she-bear roused from sleep adds low, grumbling praise. Now if you look very carefully at the island's heart between mountain breasts, you can glimpse a moonlit flash of gold as the salmon of wisdom leaps from its pool.

And what need had I of visiting wise men when I was already surrounded by the Warrior Witches of Tir na mBan, the Land of Women? Ah, see that name stirs some forgotten memory. Just as everyone is a little bit Irish, who has not dreamed of the Shining Isles always to the West? The Summer Land. The Apple Isle. The Isle of Women. The Land of Youth. The Isles of the Blest. Dangerous, paradisiacal places where a hero could be made or undone. The greatest heroes -- Cuchulain and Fionn MacCumhail -- received their training in the arts of war and the mysteries of love at the hands of women who dwelled in island strongholds of ancient, female power.

At least, that's how it was in what my mothers called "the good old days," lamenting the lack of heroes in these slack modern times. Maybe it was the times. Though none of us knew it then, that pivotal moment, when he and I were born, was the meeting place of history and myth, of time and time out of time.

Wait. Before you mourn the passing of myth, think what it might be like to live in one. Or to embody it, as my mothers did. For every great adventure, told and retold as a stirring tale, there is a vast and smooth eventlessness, like the featureless sea surrounding the quirky surprise of an island. The story is always biased towards the hero. When Cuchulain leaves the Isle of Skye, you follow him. You don't hear what Scathach and her daughter did for the rest of their timeless lives. Well, I can tell you. They waited, like my mothers, for the next trainee, scanning the curve of sea and sky for a glimpse of a phallic mast. Not that they wouldn't have welcomed a girl hero.

My mothers more than welcomed me. They rejoiced in me; they gloried. I was the great event of their elemental lives, washing up on their shore from the inward seas of my mother's womb. See their fierce, hungry gladness as they bend over me in my birth mother's arms. Notice how the curve of their backs echoes the curve of our round wattle and daub hut built in the shape of a beehive, the shape of a breast. See them examining me, admiring the delicate rosebud of my sex. At my first cry, colostrum spurts from -- count them! -- sixteen breasts. Though to the sorrow of seven only one could carry me in her womb, they all succeeded in their determination to lactate. So my first meal was a sumptuous, seemingly endless feast as I was passed round and round from breast to breast.

I imbibed, with that magical abundance, a desire that grew, as I grew, to be not the setting of a narrative, but the teller -- better yet, the protagonist. To be, in short, the hero of a story with a plot. In this determination, my mothers inadvertently encouraged me. For I was their nursling, their fledgling, their ready-made and only pupil for their many arts.


All parents affect the climate of their children's lives. You could even say they create it. My mothers did -- literally. They were weather witches as well as warriors. Picture us on our mythic island at the rim of the world, leagues away from the mainland (if any of the British Isles can be called that). We couldn't leave the success of the crops to chance. On a clear day, sister islands floated just in the range of vision to the Southeast. I spent hours gazing out over the sea, seeking that ephemeral line of land-blue. The back of a whale was a more common sighting. Or the undulating curves of a migrating sea monster.

Weather magic was also needed to maintain the fragrant garden that blossomed and bore fruit all year round. You see, it was essential that perfumed breezes waft from this garden at all times in case the nose of a hero might be passing nearby. Perhaps now is the time to mention that the Shining Isle of Tir na mBan resembles the shape of a woman lying on her back, thighs sloping down into the sea. You can imagine where the garden would be.

I have to admit that my mothers did not work weather magic out of necessity only. Just because men have hoarded the more obvious forms of power for several millennia doesn't mean women are immune to its seductions. To say that my mothers abused their power may be too strong. Their isolation and wildness gave them innocence. In temperament, they resembled the weather, which can be bad and destructive from a purely human point of view yet has no malevolent intent. In any case, they could not resist playing with the weather. On our island, it was both entertainment and sport, a competitive sport at that. Each one had her jealously guarded area of expertise. I'll introduce them to you by way of their meteorological specialties. Never mind if you can't remember them all. Think of them as a collective maternal force.

Fand presided over fogs and mists. She regarded them as an art form and had hundreds of different names for her creations that only she could remember, all very poetic: The Seventh Veil of Danu; The Silkie's Cloak; Filigree of Gull's Wing; Crane's Wedding Day.

Emer, Etain, Deirdru, and Dahut, sisters in blood as well as art, commanded the four winds, as they liked to put it. They were usually good about taking turns, but occasionally conflicts rose that resulted in twisters. Once they created an enormous whirlpool off shore that so delighted them they forgot their quarrel.

Liban came into her element in spring when softening rains were needed to ready the fields for planting. Since they both dealt in moisture, there were occasional border disputes between Fand and Liban.

Boann ruled storms and extended her realm to include hard frosts and the odd snowfall. (Weather witchery notwithstanding, we didn't get much snow, being such a tiny land mass so far out to sea.) Boann was impulsive and impatient and had a special fondness for hail, which could be disastrous if dropped on the crops at the wrong time.

Of course, we all liked a good storm. (Even my womb mother, Grainne. I will tell you more about her later.) And if Boann was reckless and needed to be restrained at times, she was also the most generous about sharing her turf. Often everyone got into the act, and together they created some really first-class squalls. These joint ventures had a tendency to coincide with my mothers' collective PMS.

PMS! I hear some of you protesting. But I thought they lived in harmony with nature! Sure they did. But who says nature is always nice? Yes, they cycled together (more or less according to the moon's phases) which made it all the more companionable and efficient. And they were not as depressed as some modern women, because they didn't believe in holding anything back. They reveled in bitchiness. Like everything else they did, from chariot racing on the beach to wild blue body painting, they bitched with verve and their own peculiar style. Just listen for a moment.

"Deirdru!" someone snaps. "Either tune that thing or hang it up!"

(The above, you understand, being a loose translation of what scholars call Q-Celtic.)

"This harp is in perfect tune," Deirdru insists, as she twangs off key, giving new meaning to the word harpie. "Besides. Even Mabon Ap Modron would have a hard time keeping an instrument in tune in this damp."

Here she casts a speaking look at Fand.

"You call this delicate hint of moisture -- designed to preserve your rapidly deteriorating complexion -- damp! Well, if you want to look your age, dear, I'm sure one of your sisters would be happy to call up the siroccos."

"We all know the problem isn't the air, it's the ear." Boann jumps in to escalate the conflict. "You either have it or you don't. And it's no secret, Deirdru, that the great druid Cathbad laid upon your father a Geis of danger and destruction if he should so much as open his mouth to sing another note, and as for your mother -- "

Now all four sisters are on their feet.

"Is it our lineage you're impugning then?"

"Now, ladies." Liban has an aggressive habit of attempting to soothe people just when they're fully roused for a good fight. "I'm sure we're all a little on edge, it being that time of the moon. I'm going to make us all some of my delicious snake slough tea -- "

There follows a collective gagging.

"No offense intended," Etain lies shamelessly. "But I'd rather go milk the billy goat."

They can be wonderfully crude, my mothers.

"It did help my cramps last time," puts in my tender womb mother Grainne, seeing the wounded look on Liban's face.

But by this time it's too late to placate anyone. Boann has gotten her drum and something perhaps best described as Q-Celtic rap is about to begin. Anticipating Boann, Etain is already sauntering center stage, rapping as she goes:

Well, my name is Etain
and I sprang from the breeze.
My daddy met my mama
in the sacred oak trees.

As Etain takes a breath, Boann jumps in.

You're hot air for sure,
there's no denying.
The Dagda spread his cheeks,
and Etain went flying.

Now Etain is back, on a roll.

Well, I'd rather be a fart
from the good god's ass
than a half-assed witch
without any class.

So don't you dis my lineage
or I'll tell you `bout yours.
When your daddy met your mama
she was down on all fours.

Boann doesn't miss a beat.

All four feet of Macha the Great Mare.
When a goddess is your mama
you got class to spare.
And if you call me a bitch, girl,
I'll bite your behind.
Takes one to know one.
We're all the same kind.

This could go on all night: brag capping brag, insult rivaling insult. Doing the dozens was my mothers' favorite martial art. All Celts, left to their own devices -- that is, without Roman legions massing on them -- preferred single combat. To this form, lengthy, verbal challenge was essential, a fine-honed wit and quick tongue as important as any other weapons. So my mothers kept in practice. When they'd exhausted their store of words, they'd let it rip: air masses would collide, lightning split the sky, winds tear and tumble like huge kittens play-fighting. Finally rain or sleet or whatever was in season would come sluicing down.

The next day we'd all go down to the shore to watch the storm-whipped waves crash on the rocks, sending up spray shot with rainbows. If it was warm enough, we'd strip, my mothers bleeding richly and freely, often using their blood for ritual finger-painting on flat stones. All quarrels would be temporarily forgotten -- if not forgiven. They didn't believe in forgiveness, my mothers. I think they feared it would blunt the edges they liked to keep sharp, blur the shapes of personalities they preferred to keep distinct -- even if it meant they chafed. But if they held onto ancient enmities, no one ever loved her enemies with such fierce devotion as my mothers.

Life on Tir na mBan was not all storms. (Though I later learned that the erratic weather patterns surrounding our island had attracted the attention of druids, who advised voyagers to give it a wide berth.) My womb mother Grainne -- the youngest of the eight and the shyest -- had the power to coax the sun. Do you remember your mother bending over your baby self? Did you think all warmth and light began in her? Imagine my mother, standing on a rock, overlooking a lack-luster sea, shrouded in one of Fand's lingering fogs -- let's call it Walrus with a Toothache. She is wearing a green tunic gathered at the waist with a gold cord; a gold torque circles her neck; and her hair, a cloud of gold, floats around her head, lifted on the eddies of air she stirs with her body's heat.

I am a small child -- maybe three or four years old -- crouching nearby, playing with smooth, cold stones that are beaded with moisture. My heavy cloak is heavier with damp.

Now see my mother lift her arms. She is making a cup. She is a light-bearing chalice. Her radiance spreads out in ripples. Feel that heat touch your skin; feel it enfold you as it enfolds me. I close my eyes. The world swims with hot gold. When I open my eyes again, the fog is gone, the sea leaps with light, and my mother is so bright I can't look at her. But I know she's there, all around me. And there is nowhere I can go in the whole world that she is not.


Some of you may have noticed that my mothers' names belong to Celtic goddesses, bean sĦdhe, hero women. Whether they were those mythic figures or were merely named for them, even I don't know. Reincarnation makes everything so complicated, don't you find? I do know that old female archetypes never die; they just retire to the Shining Isles, as the Celts well knew, and as I know better than anyone.

There was some controversy among my mothers over what to name me. There is a Celtic custom of giving a newborn a childhood protective name. If the fairies or the sidhe knew the child's true name, they might spirit her away. Some of my mothers wanted a childhood name for me, my womb mother Grainne among them. Looking back, I can see that tall, blonde Grainne was more Celtic than the other mothers. They were smaller and darker and looked like the queens of earth they were reputed to be: remnants of the old people who were native to the Holy Isles long before the Celts came and more or less conquered.

"But we don't have to worry that anyone will steal our babe, Grainne," Fand insisted. "Don't you understand? For all intents and purposes, we are the bean sĦdhe!"

Though no one ever admitted any such thing, it occurred to me later that my womb mother herself might have been a stolen child. I never knew much about any of my mothers' lives before they came to Tir na mBan. Oh, they told stories, lots of stories -- with no concern for consistency whatsoever.

"But it's traditional, Fand," argued Liban. "It can't do any harm."

"Let's give her a child's name now," suggested Boann, "and let her true name come to her when she's ready for it."

"Make it a powerful name of protection," urged Grainne.

Fand took a deep breath, as if absorbing all the air so that no one else could use it. Then she spread her arms in that flashy liturgical way of hers, and pronounced:

"She shall be called Bride's Flame!"

With that, she expelled all her breath and fixed each one with a glare, daring anyone to dispute her poetic inspiration, her prerogative as prime namer.

So it was that I came under the protection of Bride, also called Brigid, mother and/or daughter of the Dagda, goddess of smithcraft, poetry, and healing, who survived the coming of Christianity by turning into a saint -- (I told you, they just won't quit, those old girls) -- and not just any saint. According to lore, Bride was the foster mother of Christ, which makes him -- don't you see? -- my foster brother.

In my lifetimes, I have been called by many names. Or, you might say, certain names have called me. More than one of those names begins with the letter you know as M, a compelling shape in Latin script, echoing the shape of breasts, mountain peaks, sea swells, the wings of birds spread in flight. And if you take the Latin letter B and tip it on its side, you see that shape repeated. But it was many years before I learned any form of writing or inscription. Raised in the oral tradition as I was, I'm still not convinced that the written word is any improvement over the spoken. After all, talk never killed a tree.

Meanwhile, despite Fand's authoritative naming of me, my womb mother called me Little Bright One, and the others soon fell into the habit. And that is how I knew myself in my earliest years.

Magdalen Rising : The Beginning by Elizabeth Cunningham,


In this Celtic wonder tale, prequel to Elizabeth Cunningham's acclaimed novel, The Passion of Mary Magdalen, Maeve and Jesus, brimming with youthful charm and arrogance, find each other and fall in love, forging a bond that is stronger than death.

Born to eight warrior-witches on one of the Shining Isles of the Celtic Otherworld, Maeve is trained in her mothers' heroic arts and raised on colorful tales of her conception that agree on one point only: her father is a god, Manannan Mac Lir, no less, the god of the sea. When the Cailleach, an ancient wise woman, foresees a great, if perilous, destiny for Maeve in the wider world, Maeve's mothers reluctantly agree to send her to be trained as a bard at the famous Druid College on the Isle of Mona (Anglesey).

Maeve departs eagerly, longing to find the Mysterious Other she has glimpsed only in vision and dream.

Driven by his own dreams and prophecies, a young Jew from Galilee, known to the Celts as Esus, also gains admission to the college.

From the start, the two are sparring partners, by turns delighting and outraging each other with their opposing views on just about everything.

The pleasure of their early exploration is soon overshadowed. Maeve draws the attention of Lovernious, a brilliant but unbalanced druid with a secret he's kept buried -- until Maeve unwittingly awakens his memory. But it is Esus, a stranger called by the name of a sacrificial Celtic god, who becomes the ultimate object of the druid's dangerous obsession. Tensions mount between Lovernious and the lovers, even as hostilities escalate between the free Celtic tribes of Britain and the Romans across the channel in occupied Gaul. Disaster looms on all fronts. But our Maeve was not raised as a hero for nothing.

New readers and Maeve mavens alike will be moved by the tale of this young woman's courage, her bold determination to save the life of the one she loves, at whatever cost to herself. Outrageous, funny, full of heart, in Magdalen Rising Maeve grows into the woman who will become Mary Magdalen, whose passion will take her all the way to the Cross and beyond.

Writing in the visionary tradition of C.S. Lewis, Cunningham brings fresh meaning to the concept on incarnation and opens our eyes to life on this earth, a place alive with magic and rich with divine and human mystery.

Magdalen Rising : The Beginning by Elizabeth Cunningham,


Descendent from nine generations of Episcopal priests, Elizabeth Cunningham lives in the Hudson Valley. She is the author of four previous novels and two volumes of poetry. Maeve has now taken over her life; she doesn't really mind. For more, visit the author's website:

Magdalen Rising : The Beginning by Elizabeth Cunningham,


"With keen psychological insight and disarming humor, Elizabeth Cunningham re-imagines the beginnings of Christianity from a Celtic point-of-view. Her Celtic Magdalen invites us to wonder how a woman trained in the mysteries of Druidism and ancient Celtic spirituality might have fallen under the spell of the young Jesus of Nazareth and cast her own magic over him. The evolving tale of love, challenge and triumph will captivate readers."

-- Tom Cowan, author of Fire in the Head: Shamanism and the Celtic Spirit

"Cunningham wears her reverence at such a rakish angle that it's easy to overlook the deeply religious sensibility that informs her work. She insists on humanity as one who sees in its every awkward aspect the image and likeness of God. Beneath her sense of the ridiculous and the ribald, is the subtext that sings 'Alleluia!'"

-- Catherine MacCoun, author of The Age of Miracles

"Smart and earthy .... richly imaginative ... the epitome of the storyteller's art."

-- St. Louis Post-Dispatch, chosen as one of "The Year's Best Books"

"From the beginning we are caught up in a cocky irreverence that is captivating. Wrestling with destiny as all true heroines must, Maeve searches for the land of Mona and its famous Druid university. Once she is there, prophecies begin to fulfill themselves and we are swept into an adventure that tugs at our hearts and minds. This amazing book could well become a classic of women's literature."

-- Booklist, chosen as one of the Year's Ten Best Fantasy Novels

"High adventure magic, a detailed look at the world of the ancient Druids, and the most engaging heroine of recent goddess fiction come together to make Magdalen Rising a must-have for any lover of historical or goddess-oriented fantasy."

-- Sage Woman Magazine

"If you're interested in Celtic or Christian lore, here are both, seamlessly interwoven, told in such a delightful narrative that it was difficult to put the book down."

-- The Beltane Papers

"Unforgettably original .... Matthew, Mark, Luke and John: move over."

-- San Antonio Express-News

"This year's must-have summer reading."

-- KINK Radio

"Lavish and lusty . . . Cunningham's Celtic Magdalene is as hot in the mouth as Irish whiskey."

-- Beliefnet, chosen as one of this year's "heretical beach-books".

"Cunningham's rich imaginings of Magdalen's life as a Roman sex slave and as Christ's lover are as compelling as they are controversial."

-- Chronogram

"Magdalene fans are in for more surprises in Cunningham's classy, sexy novel ... this will be -- besides snapped up by Magdalene fans, Celtophiles, feminists and lovers of a good yarn -- controversial. Those unready for lesbianism and sex with the Redeemer between the same covers may blanch as well as flush."

-- Booklist, starred review

"Cunningham weaves Hebrew scripture, Celtic and Egyptian mythology, and early Christian legend into a nearly seamless whole, creating an unforgettable fifth gospel story in which the women most involved in Jesus's ministry are given far more representation ...."

-- Library Journal

"Elizabeth Cunningham beckons us ... in her raucous, inspired, and thought-provoking novel."

-- Spirituality and Health Magazine

"This epic, stunningly original work .... a roaring good read."

-- Foreword Magazine

"The Passion of Mary Magdalen offers a digestive to Mel Gibson's film, 'The Passion of the Christ', and a fascination way beyond Dan Brown's exploitation of this Mary's story in The DaVinci Code."

-- Pages Magazine

"This Mary is capable of forgiving the most outrageous brutality but incapable of surrendering to a passive existence as some else's possession, including that of the Master. Amazing story!"

-- Historical Novels Review

"If you're a Mists of Avalon type, you'll be thrilled with this sexy, woman-centric take on the life ...."

-- Hot picks: The Advocate

"As you might imagine, Cunningham's tale is hardly traditional -- and is all the better for it. Sassy, salty, sexy -- al three words aptly describe Cunningham's prose, her heroin, and The Passion of Mary Magdalen as a whole. Those without an irreverent sense of humor will likely balk, but that just leaves more copies for the rest of us to pass around."


"I was a little surprised when a publicist suggested I review this book. Mary Magdalen is sort of out of my area of expertise, if you know what I mean. But I see now why this is truly a Pagan book. It's a wonderful story that surprised me at more than one point, and I am not sitting on the edge of my seat waiting for the sequel."

-- Pagan News and Links

"Sure to offend those with a controversial view of Mary Magdalen and Jesus, sure to enrage those who want the gospel to be entirely heterosexual, and sure to please those who want another view of the very human people involved in that most familiar drama, this powerful, wonderful, being-told-just-to-you story is really an unsanitized fifth gospel. Don't miss this one!"

-- Out Smart; Houston's Gay and Lesbian Media Choice

"The Passion of Mary Magdalen gives readers what (The DaVinci Code) does not -- freedom from a false claim that all the historical elements in the book are factual. So the story can be taken as, well, a story, featuring s strong-willed woman."

-- The Kansas City Star

Magdalen Rising : The Beginning by Elizabeth Cunningham,