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Editorial Reviews
The Nation
"I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print." --This text refers to an out of print or unavailable edition of this title.
Product Description
This book had its provenance in the late 1920s, when Erle Loran, then a young artist who wanted to fathom the mysteries of Cézanne's structural form, took up residence in the master's studio in Aix-en-Provence. For several years he lived there and painted, and when he came across familiar motifs in the countryside, he took snapshots of the setting. These photographs assisted Loran in his analysis of Cézanne's composition and served as the basis for this book, which analyzes over 30 of Cézanne's paintings. This new edition brings Loran's milestone study up-to-date with a new foreword by art historian Richard Shiff, who places Loran's work into today's art historical context.
See all Editorial Reviews
"I have learned a great deal from his book about modern painting in general. [Loran] devotes his attention mainly to Cezanne's concrete means and methods, and he arrives thereby at an understanding of Cezanne's art more essential than any other I have seen in print." --This text refers to an out of print or unavailable edition of this title.
Product Description
This book had its provenance in the late 1920s, when Erle Loran, then a young artist who wanted to fathom the mysteries of Cézanne's structural form, took up residence in the master's studio in Aix-en-Provence. For several years he lived there and painted, and when he came across familiar motifs in the countryside, he took snapshots of the setting. These photographs assisted Loran in his analysis of Cézanne's composition and served as the basis for this book, which analyzes over 30 of Cézanne's paintings. This new edition brings Loran's milestone study up-to-date with a new foreword by art historian Richard Shiff, who places Loran's work into today's art historical context.
See all Editorial Reviews
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